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3D previs built on your camera data · Barcelona · French-speaking Switzerland Pilot service

Your shot, solved before you shoot.

We build your set as to-scale blocks, with your camera and your focal length, and send you back three solutions side by side. You choose at the table, not on set.

The problem

Today, a lot of shots get decided on set. With the crew waiting.

A lens that doesn’t work, a track that won’t fit. These are tests you can run beforehand, to scale.

01

The framing gets decided at the monitor, with everything already rigged.

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02

Changing lens or camera height means starting over.

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03

In the end, it all comes down to measurements: degrees, centimeters, millimeters.

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04

Whatever isn’t decided beforehand gets decided here.

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Take it to the table: three measured solutions before you get to set.

See the sample sheet

Decision sheet · full example

The decision sheet. Three solutions, measured.

This is how it arrives, shown with example values. The floor plans are calculated; the frames are diagrams, which on a real sheet will be Blender renders.

Real kitchen at night with a lamp on, a wooden countertop and plants (stock photo)
BlocksStock photo

Blockout versus location

What we model and what’s really there.

Drag the line: the same kitchen reduced to volumes, the way we build it in Blender. To decide framing, camera height and travel, the measurements are all you need.

Illustration over a stock photo, not a measured location.

Stock photo · Pexels
Scene · shot
SC 12 · INT. KITCHEN · NIGHT · shot 12-3
What the shot tells
She puts the letter down on the table and stays looking at it. The camera should follow her decision without anticipating it.
Problem to solve
Real kitchen, 2.80 × 3.40 m, with a table and a counter: a 2 m track won’t fit. We need to move in on her without cropping her on her mark.
Camera · sensor
Super 35 camera (example) · active area 24.9 × 14.0 mm · 16:9 · 24 fps
Available lenses
24-70 mm zoom · 35 and 50 mm primes · T2.8
Actress · marks
1.68 m · A1 by the table (2 s) · A2 leaning over the letter (3 s) · example timings
Available gear
Tripod and fluid head · handheld stabilizer · no track, no crane
SHEET 12-3 · v1 · 2026-10-16Synthetic example
SolutionMovementLensGearStill to check
AShort handheld push-in · 5 s35 mmStabilizerDoor opening and space outside (starts in the doorway)
BZoom, locked-off camera · 5 s24 → 50 mmTripod and fluid headDoor opening and space outside
C45° orbit · 5 s50 mmStabilizerOperator space along the arc

All three use only the gear on the list. The choice belongs to the director and the DP.

Floor plans: faint start, solid end; A1 and A2 are the actress’s marks. Frames: illustrative diagrams, not renders.

Discarded variantsIllustrated here; on a real sheet, tested in blockout

Limits of this sheet

  • Focal length and sensor active area as given in the header; lens distortion not corrected.
  • Accuracy: only as good as the measurements received. Anything pending is shown in red and not filled in.
  • Paths are for the camera point; operator and rig only once we have their measurements.

Source of measurements (simulated in this example)

MeasurementValueSource
Kitchen width2.80 mClient, tape measure
Kitchen depth3.40 mClient, tape measure
Ceiling height2.45 mClient’s dimensioned photo
Table1.20 × 0.80 mClient
Counter, depth0.60 mEstimated from photo
Door opening0.80 mAssumed, still to be measured: affects A and B (camera in the doorway). Space outside for the rig and operator is missing
Actress’s height1.68 mClient
Sensor active area24.9 × 14.0 mmManufacturer’s spec sheet (example)

What you get

Three order sizes. The same rigor.

Per shot · 48 h target

Decision sheet

  • Three solutions, each with a dimensioned floor plan and a clip
  • Gear and trade-offs for each one
  • Discarded variants with the reasons, plus one revision
Per sequence

Full sequence

  • To-scale blockout of the set
  • A sheet for each problem shot (animatic: in development, not included in the pilot)
  • Editable Blender file
Per project

Previs for the whole shoot

  • All sequences, weekly review
  • Deliverables for each department
  • Lens and camera-move list

For directors · DPs · art department · 1st ADs · commercialsStock videos · Pexels

Indicative pricing

Indicative pricing. Confirmed when we talk.

Pilot hypotheses, not a rate card. Every order is confirmed with a written quote.

Decision sheet€250 to €300hypothesis · per shot and problem

Includes the blockout set, three solutions, discarded variants and one camera revision (height, focal length, travel). A change of location or set is a new sheet at the same price.

Sequencequoted in hourshypothesis · example: 12 shots with 3 problem shots ≈ €1,600 at €35/h

Includes a sheet for each problem shot and an editable Blender file. The animatic is in development and not included in the pilot.

Project35 h per weekhypothesis · at an hourly rate, written quote

Ongoing work throughout preproduction, with weekly reviews.

How it works

Four steps. AI only at the end.

1

You give us the problem and the measurements

Photos or dimensions, camera, lenses and gear. Anything missing stays pending; nothing gets made up.

2

We block out the set

In Blender, to scale: volumes, distances and the actors’ marks.

3

We work out three solutions

With your focal length and your sensor: what fits, what’s in frame and what gear each one needs.

4

Later: dressing the shot

Realistic AI-video version: not available in the pilot. If it comes, it will be labeled as a synthetic demo.

Images: Pexels stock footage and frames from Smart Poly and Version 2.0 (YouTube). They are not BeastViews work.

See the full service, step by step

How to order

How to order. A short list.

Tell us about the shot and its problem

Using the form below; five lines and some photos with a tape measure in view are enough.

We get back to you

Whether we can do it, what’s missing and a written quote. Target: 24 business hours.

You accept and the clock starts

Once you accept in writing (a reply saying ‘I accept’ is enough), with the agreed payment and all inputs received.

You get the sheet and one revision

PDF and clips with a version number; a change of location or set is a new sheet.

Required inputs

What we need to get started

  • The shot’s problem, in one sentence
  • Measurements or dimensioned photos of the set
  • Camera, recording mode and lenses
  • Actors’ heights and their marks
  • Available gear, with measurements if you have them

If it’s a screen-direction (axis) problem, also the shot before and the shot after. And in the brief: what the shot tells and who signs off (director and DP).

What the process looks like

From blockout to shot. The generated image comes last.

Third-party examples, temporaryThey are not BeastViews work or clients; they will be replaced with our own videos. Hover to scrub through them or jump to a key moment.

From blockout to result · frames from the videos

BlockoutResult →

An object in the Blender viewport and its generated version.

BlockoutResult →

Car and track as blocks, next to the generated shot.

BlockoutResult →

A building in gray blocks and the finished, dressed shot.

What we don’t do

So there are no surprises.

Final render. This is blockout previs; there is no realistic version in the pilot.
Promises about AI video. It can alter composition and movement; it’s a separate item.
Surveying. Accuracy is only as good as your measurements.
Replacing the tech scout. We give you figures to check on site.

Frequently asked questions

Questions from camera and production.

01How accurate is the floor plan?+
Director of photography

As accurate as your measurements. Anything missing is marked as pending and not filled in; the figures get checked with a tape measure on the tech scout.

02What if the location changes?+
Producer

It’s a new sheet, with its own revision included, at the same price. The delivered sheet stays valid for the space that was measured. The included revision covers camera height, focal length, travel or swapping a solution for a discarded one; moving a table or a door changes the measured set and is also a new sheet.

03What isn’t included?+
Producer

Final render, lighting design, a drawn storyboard, a second revision or a scan of the space. We propose; the director and DP decide.

04Does my script go through any AI?+
Producer

Not without your written permission, which names the service and the material. Before that, we agree on how everything is sent, stored and deleted.

05What format does it come in?+
Director of photography

The sheet as PNG and as an A4 landscape PDF (split across several full-width pages so it reads when printed), one H.264 clip per solution with the figures burned in, each solution’s floor plan as PNG and the blockout .blend, all with version and date. Cases has a real pipeline sheet for a fictional example; not yet tested in print by a crew.

06How long does it take?+
Producer

Pilot target: 48 working hours (2 working days) from when we have everything; after 12:00 it counts from the next working day. Not yet validated. The date is confirmed when you accept.

Request a decision sheet

Tell us about the shot. We’ll tell you if we can do it, and when.

Nothing gets sent: it prepares a text that you copy and email to us.

Book 15 min